New York, NY: Saturday, September 19, 1914
Solo with orchestra accompaniment.
Along Came Ruth
(words and music by Irving Berlin)
39569-1 "OK," master: Columbia A1612 (released December 1914)
Oxford 39569
Silvertone 39569
39569-2 "Stm"
New York, NY: Monday, October 26, 1914
Solos with orchestra accompaniments.
Poor Pauline
(words by Charles McCarron; music by Raymond Walker)
39594-1 "OK," master: Columbia A1626 (released January 1915)
Oxford 39594
Silvertone 39594
39594-2 Rejected
Same date:
Stay Down Where You Belong
(words and music by Irving Berlin)
39595-1 "Stm"
39595-2 "OK," master: Columbia A1628 (released January 1915)
Oxford 39595
Silvertone 39595
Take 2 notes: "Cut from catalogue list ex off 12/16/18."
New York, NY: Wednesday, December 16, 1914
Solo with orchestra accompaniment.
San Francisco (At That San-Fran-Pan-American Fair)
(George W. Meyer)
39699-1 Rejected, "rej and destroy our letter 2/2/15"
39699-2 "OK," "rej and destroy our letter 2/2/15"
This title was remade January 26, 1915.
New York, NY: Tuesday, January 26, 1915
Solos with orchestra accompaniments.
San Francisco (At That San-Fran-Pan-American Fair)
(George W. Meyer)
39699-3 "OK," Columbia A1699 (released April 1915)
39699-4 "Stm"
This title was previously recorded December 16, 1914.
Same date:
He Comes Up Smiling
(words by Grant Clarke, music by Charles Bayha)
39797-1 "Stm"
39797-2 "OK," master: Columbia A1696 (released April 1915)
La Belle A.L. 5006 (Fields uncredited)
Oxford 39797
Silvertone 39797
39797-3 [no comments]
New York, NY: Thursday, March 25, 1915
Solo with orchestra accompaniment.
The Little Ford Rambled Right Along
(words by C. R. Foster and Byron Gay; music by Byron Gay)
39988-1 Rejected
39988-2 "OK," master: Columbia A1754 (released June 1915)
Silvertone 39988
Standard A1754
39988-3 Rejected
Take 2 notes: "Reject our letter to Mr. Elwood November 4/20." This matrix was replaced with 79275 by Frank Crumit.
New York, NY: Monday, May 17, 1915
Solos with orchestra accompaniment.
When Sunday Comes to Town
(words by Vincent Bryan; music by Harry Von Tilzer)
45643-1 Suspended
45643-2 "OK," "sus. our letter 6/1/1915"
This title was remade May 25, 1915.
New York, NY: Tuesday, May 18, 1915
Solo with orchestra accompaniment.
In Matteawan
(words by Vincent Bryan; music by Harry Von Tilzer)
45644-1 "Stm"
45644-2 "OK," master: Columbia A1768 (released August 1915)
45644-3 "Stm"
New York, NY: Tuesday, May 25, 1915
Solo with orchestra accompaniment.
When Sunday Comes to Town
(words by Vincent Bryan; music by Harry Von Tilzer)
45643-3 Suspended
45643-4 Suspended
45643-5 "OK," master: Columbia A1769 (released August 1915)
This title was previously recorded May 17, 1915.
New York, NY: Friday, July 23, 1915
Solo with orchestra accompaniment.
Tell Me Some More
(words by Andrew B. Sterling; music by Harry Von Tilzer)
45876-1 Suspended
45876-2 "OK," master: Columbia A1807 (released October 1915)
45876-3 "Stm"
"Cut from 'A' catalogue list 12/17/18."
New York, NY: Friday, August 20, 1915
Solo with orchestra accompaniment.
I Love to Stay at Home
(words and music by Irving Berlin)
45960-1 Suspended
45960-2 "OK," master: Columbia A1830 (released November 1915; withdrawn September 1919)
New York, NY: Tuesday, September 21, 1915
Solo with orchestra accompaniment.
If War Is What Sherman Said It Was
(words by Andrew B. Sterling; music by Albert Gumble)
46044-1 "OK," "rej our letter 6/13/17"
46044-2 "Stm," "rej our letter 6/13/17"
46044-3 "Stm," "rej our letter 6/13/17"
"Suspended our to ex letter of Nov. 15, 15."
New York, NY: Friday, April 21, 1916
Solo with orchestra accompaniment.
Are You Prepared for the Summer?
(words by Bert Kalmar and Edgar Leslie; music by Jean Schwartz)
46729-1
46729-2 Columbia A2006 (released July 1916)
New York, NY: Thursday, June 1, 1916
Solo with orchestra accompaniment.
Don't Leave Me Daddy
(words and music by Joe Verges)
46811-1
46811-2
46811-3 Columbia A2044 (released September 1916)
Silvertone 46811
New York, NY: Tuesday, August 15, 1916
Solo with orchestra accompaniment.
He's Got a Bungalow (Right by the Water)
(words by Edward Grossmith; music by Ted D. Ward)
46956-1
46956-2 Columbia A2086 (released November 1916)
46956-3
46956-4
New York, NY: Tuesday, November 14, 1916
Solos with orchestra accompaniments.
How's Every Little Thing in Dixie?
(words by Jack Yellen; music by Albert Gumble)
47164-1 Columbia A2153 (released February 1917)
Silvertone 47164
47164-2
47164-3
Same date:
It's Not Your Nationality (It's Simply You)
(words by Joe McCarthy; music by Howard Johnson)
47165-1
47165-2
47165-3
This title was remade December 4, 1916.
New York, NY: Monday, December 4, 1916
Solo with orchestra accompaniment.
It's Not Your Nationality (It's Simply You)
(words by Joe McCarthy; music by Howard Johnson)
47165-4
47165-5 Columbia A2163 (released March 1917)
Silvertone 47165
47165-6
This title was previously recorded November 14, 1916.
New York, NY: Friday, December 8, 1916
Solo with orchestra accompaniment.
Just the Kind of a Girl You'd Love to Make Your Wife
(words by Lou Klein; music by Harry Von Tilzer)
47213-1
47213-2 Columbia A2185 (released April 1917)
47213-3
New York, NY: Friday, February 9, 1917
Solo with orchestra accompaniment.
Everybody Loves a "Jass" Band
(words by Coleman Goetz; music by Leon Flatow)
47357-1
47357-2 Columbia A2211 (released May 1917)
New York, NY: Saturday, February 10, 1917
Solo with orchestra accompaniment.
If I Had a Son for Each Star in Old Glory (Uncle Sam, I'd Give Them All to You)
(words by J. E. Dempsey; music by Joseph A. Burke)
47367-1
47367-2
47367-3 Columbia A2209 (released May 1917)
New York, NY: Tuesday, March 13, 1917
Solo with orchestra accompaniment.
Oh! Papa, Oh! Papa (Won't You Be a Pretty Papa to Me?)
(words and music by Nat Vincent and James F. Hanley)
47419-1 Columbia A2265 (released August 1917)
47419-2
47419-3
New York, NY: Thursday, April 5, 1917
Solo with orchestra accompaniment.
The Cute Little Wigglin' Dance
(words and music by Henry Creamer and J. Turner Layton)
47460-1 Columbia A2244 (released July 1917)
47460-2
New York, NY: Tuesday, May 8, 1917
Solo with orchestra accompaniment.
We'll Be There (On the Land, on the Sea, in the Air)
(words by Ballard Macdonald; music by James F. Hanley)
77033-1 Columbia A2272 (released August 1917)
77033-2
77033-3
New York, NY: Monday, May 14, 1917
Solo with orchestra accompaniment.
What Kind of an American Are You?
(words by Lew Brown and Charles McCarron; music by Albert Von Tilzer)
77056-1
77056-2
77056-3
77056-4 Columbia A2272 (released August 1917)
New York, NY: Monday, June 4, 1917
Solo with orchestra accompaniment.
Let's All Do Something (Uncle Sammy Wants Us Now)
(words by Andrew B. Sterling; music by Arthur Lange)
77097-1
77097-2 Columbia A2335 (released October 1917)
77097-3
New York, NY: Tuesday, June 5, 1917
Solo with the Peerless Quartet; orchestra accompaniment.
Where Do We Go from Here?
(words and music by Howard Johnson and Percy Wenrich)
77103-1
77103-2 Columbia A2299 (released September 1917)
77103-3 Columbia A2299 (released September 1917)
New York, NY: Tuesday, July 3, 1917
Solo with orchestra accompaniment.
Throw No Stones in the Well That Gives You Water
(words by Arthur Fields; music by Theodore Morse)
77183-1
77183-2
77183-3 Columbia A2333 (released October 1917)
Standard 2333 (as "Baritone Solo")
77183-4
New York, NY: Thursday, July 5, 1917
Solo with the Peerless Quartet; orchestra accompaniment.
Goodbye Broadway, Hello France!
(words by C. Francis Reisner and Benny Davis; music by Billy Baskette)
77185-1
77185-2
77185-3
This title was remade July 16, 1917.
New York, NY: Monday, July 16, 1917
Solo with the Peerless Quartet; orchestra accompaniment.
Goodbye Broadway, Hello France!
(words by C. Francis Reisner and Benny Davis; music by Billy Baskette)
77185-4
77185-5
77185-6
This title was previously recorded July 5, 1917.
New York, NY: Wednesday, August 1, 1917
Solo with orchestra accompaniment.
At the Yankee Military Ball
(words by Howard Johnson; music by Harry Jentes)
77225-1 Columbia A2388 (released December 1917)
77225-2
77225-3
New York, NY: Thursday, September 6, 1917
Solo with orchestra accompaniment.
It's a Long Way to Berlin, but We'll Get There!
(words by Arthur Fields; music by Leon Flatow)
77315-1 Columbia A2383 (released December 1917)
77315-2
77315-3 Columbia A2383 (released December 1917)
New York, NY: Monday, October 1, 1917
Solos with orchestra accompaniments.
Take Me Back to Dear Old Blighty
(words and music by A. J. Mills, Fred Godfrey, Bennett Scott)
77391-1
77391-2
77391-3 Columbia A2451 (released February 1918)
Standard 2451
Same date:
I Don't Want to Get Well
(words by Harry Pease and Howard Johnson; music by Harry Jentes)
77392-1 Columbia A2409 (released January 1918)
77392-2
77392-3
New York, NY: Thursday, November 1, 1917
Solo with orchestra accompaniment.
We'll Knock the Heligo into Heligo Out of Heligoland
(words by John O'Brien; music by Theodore Morse)
77475-1 Columbia A2443 (released February 1918)
77475-2 Columbia A2443 (released February 1918)
77475-3
New York, NY: Tuesday, November 13, 1917
Solo with orchestra accompaniment.
Over There
(words and music by George M. Cohan)
77510-1
77510-2 Columbia A2470 (released March 1918)
77510-3
New York, NY: Friday, November 16, 1917
Solo with orchestra accompaniment.
When Yankee Doodle Learns to Parlez Vous Francais
(words by Will Hart; music by Ed Nelson)
77514-1
77514-2 Columbia A2451 (released February 1918)
Standard 2451
77514-3
New York, NY: Wednesday, December 5, 1917
Solos with orchestra accompaniments.
Do Something
(words and music by Edward Laska)
77548-1 Columbia A2473 (released March 1918)
77548-2
77548-3
77548-4
Same date:
I'm Writing to You, Sammy
(words by Lew Brown; music by Al Harriman)
77549-1
77549-2
77549-3
New York, NY: Tuesday, December 11, 1917
Solo with the Peerless Quartet; orchestra accompaniment.
There'll Be a Hot Time in the Old Town Tonight
(Theodore A. Metz)
77568-1 Columbia A2476 (released April 1918)
La Belle A.L. 5017 (as "Quartette") (Title: "Hot Time in the Old Town")
77568-2 Columbia A2476 (released April 1918)
La Belle A.L. 5017 (as "Quartette") (Title: "Hot Time in the Old Town")
77568-3
New York, NY: Tuesday, January 8, 1918
Solos with orchestra accompaniments.
Tom, Dick and Harry and Jack (Hurry Back)
(words by Howard Johnson; music by Milton Ager)
77615-1
77615-2 Columbia A2496 (released April 1918)
Standard 2496
77615-3
Same date:
I'll Come Back to You When It's All Over
(words by Lew Brown; music by Kerry Mills)
77616-1
77616-2
77616-3
This title was remade January 22, 1918.
New York, NY: Tuesday, January 22, 1918
Solo with orchestra accompaniment.
I'll Come Back to You When It's All Over
(words by Lew Brown; music by Kerry Mills)
77616-4
77616-5 Columbia A2496 (released April 1918)
Standard 2496
77616-6 Columbia A2496 (released April 1918)
Standard 2496
This title was previously recorded January 8, 1918.
New York, NY: Thursday, February 14, 1918
Solo with orchestra accompaniment.
All Aboard for Home, Sweet Home
(words by Addison Burkhart; music by Al Piantadosi and Jack Glogau)
77673-1
77673-2 Columbia A2526 (released June 1918)
77673-3
New York, NY: Monday, February 18, 1918
Solo with orchestra accompaniment.
There'll Be a Hot Time for the Old Men (While the Young Men Are Away)
(words by Grant Clarke; music by George W. Meyer)
77676-1
77676-2
77676-3
New York, NY: Tuesday, February 19, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
Any Old Place the Gang Goes (I'll Be There)
(words and music by William J. McKenna)
77677-1 Columbia A2514 (released May 1918)
77677-2
77677-3
77677-4
Brian Rust's Columbia Master Book lists the recording date as February 18, 1918, but the artist index card says February 19, 1918.
New York, NY: Saturday, March 2, 1918
Solo (as "Eugene Buckley") with the Peerless Quartet; orchestra accompaniment.
Good Morning, Mr. Zip-Zip-Zip!
(words and music by Robert Lloyd)
77706-1 Columbia A2530 (released June 1918)
77706-2
77706-3
New York, NY: Wednesday, March 13, 1918
Solo with orchestra accompaniment.
Hunting the Hun
(words by Howard E. Rogers; music by Archie Gottler)
77721-1
77721-2 Columbia A2528 (released June 1918)
77721-3
New York, NY: Thursday, March 14, 1918
Solo (as "Eugene Buckley") with orchestra accompaniment.
K-K-K-Katy
(words and music by Geoffrey O'Hara)
77722-1 Columbia A2530 (released June 1918)
77722-2
77722-3
New York, NY: Friday, March 15, 1918
Solo with orchestra accompaniment.
The Yanks Started Yankin' (The Russians Were Rushin')
(words by Carey Morgan; music by Charles McCarron)
77723-1
77723-2 Columbia A2528 (released June 1918)
77723-3 Columbia A2528 (released June 1918)
77723-4
New York, NY: Tuesday, April 2, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
We Stopped Them at the Marne
(words and music by Lieutenant Gitz Rice)
77748-1 Columbia A2540 (released July 1918)
United A2540
77748-2
77748-3 Columbia A2540 (released July 1918)
United A2540
Solo with orchestra accompaniment.
Same date:
Pay-Day! (That Was his Favorite Call)
(words and music by Arthur Fields)
77749-1
77749-2 Columbia A2539 (released July 1918)
77749-3 Columbia A2539 (released July 1918)
New York, NY: Thursday, April 4, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
Just Like Washington Crossed the Delaware (General Pershing Will Cross the Rhine)
(words by Howard Johnson; music by George W. Meyer)
77755-1 Columbia A2545 (released July 1918)
77755-2
77755-3
Solo with orchestra accompaniment.
Same date:
When It Comes to a Lovingless Day
(words and music by Jack Frost)
77756-1 Columbia A2541 (released July 1918)
77756-2
77756-3
New York, NY: Tuesday, April 9, 1918
Solo with orchestra accompaniment.
Torpedo Jim
(Monaco)
77762-1
77762-2
New York, NY: Monday, April 22, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
I Wonder What They're Doing Tonight (Your Girl and Mine)
(words by Lew Brown and Al Harriman; music by Jack Egan)
77778-1
77778-2 Columbia A2557 (released August 1918)
77778-3
Solo with orchestra accompaniment.
Same date:
You're in Style When You're Wearing a Smile
(words and music by Al W. Brown, Gus Kahn, and Egbert Van Alstyne)
77779-1
77779-2
77779-3
This title was remade May 13, 1918.
New York, NY: Monday, May 6, 1918
Solo with orchestra accompaniment.
Oh! Frenchy
(words by Sam Ehrlich; music by Con Conrad)
77814-1
77814-2
77814-3
77814-4 Columbia A2569 (released September 1918)
Do You Remember? 6 (78rpm reissue)
New York, NY: Monday, May 13, 1918
Solo with orchestra accompaniment.
You're in Style When You're Wearing a Smile
(words and music by Al W. Brown, Gus Kahn, and Egbert Van Alstyne)
77779-4
77779-5 Columbia A2564 (released August 1918)
77779-6
77779-7
This title was previously recorded April 22, 1918.
Solos with the Peerless Quartet; orchestra accompaniments.
Same date:
We're All Going Calling on the Kaiser
(words by Jack Caddigan; music by James A. Brennan)
77824-1
77824-2
77824-3 Columbia A2569 (released September 1918)
Same date:
Flying
77825-1
77825-2
77825-3
Special title for Canada.
New York, NY: Friday, May 17, 1918
Solo with orchestra accompaniment.
Victory
(words by Jack Wilson and Ben Bard; music by M. K. Jerome)
77828-1
77828-2
77828-3 Columbia A2619 (released November 1918)
77828-4
New York, NY: Saturday, May 18, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
When I Send You a Picture of Berlin (You'll Know It's Over, "Over There," I'm Coming Home)
(words and music by Frank Fay, Ben Ryan, and Dave Dreyer)
77833-1
77833-2
77833-3
77833-4 Columbia A2580 (released September 1918)
New York, NY: Tuesday, May 28, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
The Last Long Mile (from "Toot! Toot!")
(words and music by Emil Breitenfeld)
77855-1
77855-2
77855-3 Columbia A2601 (released October 1918)
New York, NY: Monday, June 24, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
Keep Your Head Down, Fritzie Boy
(words and music by Lieutenant Gitz Rice)
77923-1
77923-2
77923-3 Columbia A2600 (released October 1918)
New York, NY: Monday, July 22, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
The Yanks Are At It Again
(words by Lew Brown; music by Rubey Cowan)
77956-1
77956-2
77956-3
77956-4 Columbia A2620 (released November 1918)
Solo with orchestra accompaniment.
Same date:
Oh! How I Hate to Get Up in the Morning
(words and music by Irving Berlin)
77957-1
77957-2
77957-3 Columbia A2617 (released November 1918)
New York, NY: Wednesday, July 24, 1918
Solo with orchestra accompaniment.
Let's Bury the Hatchet
(Burkhardt)
77965-1
77965-2
77965-3 Columbia A2617 (released November 1918)
77965-4 Columbia A2617 (released November 1918)
New York, NY: Friday, July 26, 1918
Solo with orchestra accompaniment.
Uncle Sammy
(words and music by Abe Holzmann)
77969-1
77969-2 Columbia A2635 (released December 1918)
77969-3
77969-4
New York, NY: Saturday, August 17, 1918
Solo with orchestra accompaniment.
You Keep Sending 'em Over and We'll Keep Knocking 'em Down
(words by Sidney D. Mitchell; music by Harry Ruby)
78004-1
78004-2
78004-3 Columbia A2636 (released December 1918)
New York, NY: Thursday, September 19, 1918
Solo with orchestra accompaniment.
You Can't Beat Us (If It Takes Ten Million More)
(words by J. Keirn Brennan; music by Ernest R. Ball)
78058-1
78058-2
78058-3
78058-4 Columbia A2657 (released January 1919)
New York, NY: Wednesday, October 2, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
I Ain't Got Weary Yet
(words by Howard Johnson; music by Percy Wenrich)
78091-1
78091-2
78091-3 Columbia A2669 (released February 1919)
New York, NY: Tuesday, October 22, 1918
Solo with orchestra accompaniment.
Jim, Jim, Don't Come Back Till You Win
(words by Ben Ryan and Bert Hanlon; music by Harry Von Tilzer)
78144-1
78144-2
78144-3
Rejected November 29, 1918.
New York, NY: Friday, October 25, 1918
Solo with orchestra accompaniment.
Ja-Da (Ja Da, Ja Da, Jing, Jing, Jing!)
(words and music by Bob Carleton)
78160-1 Columbia A2672 (released February 1919)
78160-2 Columbia A2672 (released February 1919)
78160-3
Solo (as "Eugene Buckley") with orchestra accompaniment.
Same date:
Would You Rather Be a Colonel with an Eagle on Your Shoulder or a Private with a Chicken on Your Knee?
(words by Sidney Mitchell; music by Archie Gottler)
78161-1
78161-2
78161-3 Columbia A2669 (released February 1919)
This title was remade November 7, 1918.
New York, NY: Thursday, November 7, 1918
Solo (as "Eugene Buckley") with orchestra accompaniment.
Would You Rather Be a Colonel with an Eagle on Your Shoulder or a Private with a Chicken on Your Knee?
(words by Sidney Mitchell; music by Archie Gottler)
78161-4
78161-5 Columbia A2669 (released February 1919)
78161-6
78161-7
This title was previously recorded October 25, 1918.
New York, NY: Tuesday, November 19, 1918
Solos with orchestra accompaniments.
Jim, Jim, I Always Knew That You'd Win
(words by Ben Ryan and Bert Hanlon; music by Harry Von Tilzer)
78179-1
78179-2
78179-3
78179-4 Columbia A2679 (released March 1919)
Same date:
Sarah, Come Over Here
(words by Eddie Nelson; music by Con Conrad)
78180-1
78180-2
78180-3 Columbia A2680 (released March 1919)
New York, NY: Thursday, November 21, 1918
Solo with the Peerless Quartet; orchestra accompaniment.
The Navy Will Bring Them Back!
(words by Yeoman Howard Johnson; music by Ira Schuster)
78187-1 Columbia A2677 (released March 1919)
78187-2
78187-3
78187-4
New York, NY: Friday, December 20, 1918
Solo with orchestra accompaniment.
Your Boy Is on the Coal Pile Now
(words by William McKenna; music by Seaman Sam Ward)
78216-1
78216-2
78216-3 Columbia A2688 (released April 1919)
New York, NY: Thursday, January 2, 1919
Solo with orchestra accompaniment.
Oh! Helen
(words and music by Charles R. McCarron and Carey Morgan)
78244-1
78244-2
78244-3
New York, NY: Monday, January 27, 1919
Solo with the Peerless Quartet; orchestra accompaniment.
Johnny's in Town
(words by Jack Yellen; music by George W. Meyer and Abe Olman)
78274-1
78274-2 Columbia A2703 (released May 1919)
78274-3
78274-4
New York, NY: Wednesday, February 5, 1919
Solo with orchestra accompaniment.
He's Had No Lovin' for a Long, Long Time
(words by William Tracey; music by Maceo Pinkard)
78293-1
78293-2 Columbia A2705 (released May 1919)
78293-3
78293-4
New York, NY: Tuesday, March 18, 1919
Solo with orchestra accompaniment.
Frenchy Come to Yankee Land
(words by Sam Ehrlich, music by Con Conrad)
78358-1
78358-2
78358-3 Columbia A2727 (released July 1919)
78358-4
78358-5
New York, NY: Friday, March 28, 1919
Solo with orchestra accompaniment.
You Can't Blame the Girlies at All (They All Want to Marry a Soldier)
(words by Alex Gerber; music by Abner Silver)
78370-1
78370-2
78370-3 Columbia A2732 (released July 1919)
78370-4
Solo with the Peerless Quartet; orchestra accompaniment.
Same date:
Don't Forget the Salvation Army (My Doughnut Girl)
(words by Elmore Leffingwell and James Lucas; music by Robert Brown and William Frisch)
78371-1
78371-2
78371-3
New York, NY: Friday, May 16, 1919
Solo with orchestra accompaniment.
Pig Latin Love (I-Yay Ove-Lay)
(words and music by L. Wolfe Gilbert and Anatol Friedland)
78429-1
78429-2
78429-3
78429-4 Columbia A2756 (released September 1919)
The Three Kaufields: Arthur Fields, Irving and Jack Kaufman; orchestra accompaniment.
Same date:
Daa Dee Dum
(words and music by Nat Vincent and Leon Flatow)
78430-1
78430-2
78430-3
78430-4
New York, NY: Wednesday, May 21, 1919
Solo with orchestra accompaniment.
The Gates of Gladness (The Road to Sunshine Land)
(words and music by J. Keirn Brennan, Paul Cunningham, and Bert Rule)
78441-1
78441-2
78441-3 Columbia A2774 (released November 1919)
New York, NY: Saturday, June 21, 1919
Duet with Jack Kaufman; orchestra accompaniment.
Breeze (Blow My Baby Back to Me)
(words and music by Ballard Macdonald, Joe Goodwin, and James F. Hanley)
78520-1
78520-2 Columbia A2766 (released October 1919)
78520-3
Artist index card says June 2, 1919 for this date.
Solo with orchestra accompaniment.
Same date:
If You Don't Stop Making Eyes at Me
(J. Keirn Brennan; Paul Cunningham; Bert Rule)
78521-1
78521-2
78521-3 Columbia A2774 (released November 1919)
78521-4 Columbia A2774 (released November 1919)
New York, NY: Wednesday, June 25, 1919
The Kaufield Trio: John Young, Arthur Fields, and Jack Kaufman; orchestra accompaniment.
Just a Thought of You
(words by Joe Goodwin; music by James F. Hanley)
78535-1
78535-2
78535-3
78535-4
New York, NY: Tuesday, July 15, 1919
Solo with orchestra accompaniment.
Why Should I Build Castles in the Air?
(words by Ballard Macdonald; music by Robert King)
78569-1
78569-2
78569-3
The Kaufman Fields Trio; orchestra accompaniment.
Same date:
I Know What It Means to Be Lonesome (I'm Lonesome, So Lonesome for You)
(words and music by James Kendis, James Brockman, and Nat Vincent)
78570-1
78570-2
78570-3
New York, NY: Tuesday, July 12, 1921
Solo (misspelled as "Arthur Feilds") with the Criterion Quartet; orchestra accompaniment.
Hail Chicago (Official Chicago Song)
(First Prize, Herald-Examiner Song Contest)
(words by Ted Turnquist; music by Bob Allan)
79933-1
79933-2 Columbia A3447 (special release)
79933-3
79933-4
New York: November 19, 1921?
Solo with orchestra accompaniment.
There's a Down in Dixie Feelin' (Hangin' Round Me)
(words and music by Ray Perkins)
80107-1
80107-2 Columbia A3539 (released March 1922)
80107-3
80107-4 Columbia A3539 (released March 1922)
Brian Rust's Columbia Master Book lists the recording date as December 19, 1921, but the artist index card says November 19, 1921.
